Musical Modernism with Claude Debussy, Igor Stravinsky and Arnold Schoe

medical specialtyal modernism can be seen as the condemnation where music emerges its liberty from Romantic era style -that st artistic productioned in the deeply nineteen century to end of the Second World War- and gains new ideas and freedom. With the semipolitical turmoil and chaos that took over the European countries, -that lured countries into the First World War- composers and artists started to find, make water more and new ways to express themselves. They eagerly began to discover the art of Eastern countries with the hope of finding new ways of expression. The changes in tonality, unlawful rhythms, tone clusters, distressed and antagonistic melodies, the expressionist, abstract, unusual ideas over powers the music, the traditional structures recreated or composed with unusual techniques and music gains Non-Western elements. Therefore 20th Century Music shows its rebellion from Romantic era and any opposite era in fact- and earns itself the name The modern era and a new importance done this movement in the history. In addition, with the modernist movement, music obtained more interest as a subject that it never had before.I wanted from music a freedom which it possesses perhaps to a greater degree than any other art, not being tied to a more or little exact reproduction of genius but to the mysterious correspondences between Nature and Imagination Claude Debussy (1902)Roughly from the 1900s, the music started to obtain a big theatrical role in peoples life with its new aspects and it was not just made to please the listeners but carried meanings about life itself. With the modernist movement emotions other than love, anger and joy has started to be portrayed more securely and concisely. Composers alike Claude Debussy, Igor Stravinsky and Arnold Schoenberg are very... ...s were his guard against to harmonic resolution in his music. He was by and large fascinated by the waltz and march rhythms - as he used these rhythms in most of his wo rks- nevertheless with the title Schoenberg he brought the alike complex and irregular approach to these rhythms too. The irregular tempos that even shows differences from one bar to the other in a same piece andThe rhythms, time signatures he used in his compositions changed continually. To conclude, these three revolutionary composers that I have analysed in this essay brought so many levels and layers to Modern Music. With their contributions Modern era was disconnected from romanticism. Without Debussys unique, enjoyable compositions, Stravinskys rhythmic and dynamic layers and new ideas, Schoenbergs creative theories and revolutionary 12 tone system one can not think of a Modern era.