"Piano and Drums" by Gabriel Okara.

Among many contemporary poets, Gabriel Okara makes his stand as one of the well-nigh influential Nigerian lyricists. Okara speaks of the same impressions of the controversial novelist Chinua Achebe. In the rime Piano and Drums, Gabriel Okara shows the contrasts in the midst of the past life and the modern world. both(prenominal) aspects in his poem date backrest before the jump of civilization. In this essay I will reflect on Okaras concepts and visions.

The poem is effectively written in Verse Libre or free verse. This allows Okara to freely express his thoughts without any restrictions in poetry or rhythm, yet the poem inhibits a powerful rhythm. This technique gives a lyric type tone to the poem, aiming on the upbraiding of the speakers experiences and how different and complex life has become. From ... unprejudiced paths with no innovation... formed with ...the nude warmth of hurrying feet... contrasting strongly with the modern daylight ...complex ways..., this reiterates the titles strong contrast, cushys and drums. So by using no classifiable rhyme or rhythm, Okara creates a monologue lyric ruminative on the speakers experiences and visions.

In the poem, there is a strong contrast between the symbols shown in the title. The drums, representing metaphorically ancient native life; simple yet solid, some of the perspectives date back to earlier quantify before the acts of civilization but most importantly European imperialism. The drums score a ...mystic rhythm... having an unrehearsed, ...urgent, raw... sense experience to their powerful simple, basic stick as opposed to the piano. The poem metaphorically symbolises the Western arena but more specifically the European race. This statement is created because of the complexness of the instrument; an individual must possess some diversity of knowledge. The speaker describes the sound of the piano as ...wailing... this similarly contrasts with the ...pulsing... measuring rod of the drum. Through these elements of contrast, the speaker metaphorically describes to us a sense of tack and a sentiment of loss.

The poem frequently extends back to primitive times, where the piano was not present. By doing this the speaker shows how change can occur at any time and whitethorn destroy cultural foundations. He uses the drums as ...primal youth... and the piano existence ...tear furrowed... This immediately illustrates how the drums have been dated back years ago, and how the piano being ...tear furrowed... brings pain and loss. This is a direct link to the Europeans attack on the territories of the indigenous black Africans.



By relating the poem to introductory times, the speaker gains evidence to make his points deeper.

There is a constant case to mystical, unknown elements in the poem. The first encounter is at the counterbalance with; ...at a riverside... The speaker gives no information or specificity on the region of where he is located. There is the alliterated ...mystic rhythm... at the opening two lines of the poem and the ending two lines of the poem, which echoes the title and the first time we are greeted with the phrase. The speaker mentions ...mist... near the end which also adds to the percentage of unexplained factors. Thus the speaker creates an aspect of unknown elements and thoughts which have not been fulfilled.

To conclude, the poem Piano and Drums by Gabriel Okara, reflects on proportions explored by Chinua Achebe. Okara expresses his judgments on the greater picture which is European imperialism. He also articulates on the sense of loss from there indigenous ethical motive to modern customs irrelative to the black society. It is a poem reflecting on change and loss.

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