Friday, April 5, 2013

Examines the file "A Beautiful Mind".

The shots of A ravishing Mind consists of manly medium, high incline and low angle shots. John Nash is lots shot in a medium shot. The film uses color as typic of good and evil.  During scenes where the lead Nash was in a good supposition or was having something happy happen to him, the colors were all unadulterated with a prospering hue. The lights looked gold, and it was as if all the actors faces were covered with golden morning sunlight. During the sad times in that respect was a dish out of desaturation going which gave it a pale blue or grayish tone. At one point when his wife discovers he has reverted into wakeless schizophrenia and is about to accidentally kill their child, it is of course raining, there is a fierce wind blowing, the house is devoid of both color and e trulything is gray. This treatment does however; influence the mood of how we atomic number 18 supposed to feel. High angle shots are used to award freedom and low angle shots to show hope. His relationship with Alicia is often shot in high and low angle shots.

A Beautiful Mind elegantly uses small, nice effects early on. When Nash is mazed looking at geometric patterns, they dance across the subterfuge of their own accord; when he looks at a paginate of numbers, digits float up to greet him.

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It is a smart visual, both suggesting the abstract joys of thought and the visual hallucinations to come.

The look of the film was very crisp and clear. There seemed to be no originality in the mise-en-scene and that was perplexing. In the school environment you saw school things, in a work environment you saw work things. It was as if they were more than concerned with dating and the period of the...

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