Fear and its Effects and Functions in The Ones Who Walk Away from Omelas
Fear plays a very important role in Ursula K. Le Guins short written report The Ones Who Walk Away from Omelas as it pertains to the storys main theme of the collectives postulate and wants macrocosm more important than that of an individual. Fear helps to ascend the game as well in that it functions as hidden wave in the perfection of Omelas because how can a person or group of persons be perfect when they still fear things. It to a fault plays a key role in helping to develop the storys sub themes of the importance of preserving paradise and how easy it is to dehumanise soulfulness when it is beneficial to yourself as well as the need to dehumanize the child in order to succeed in the childs isolation without opposition from citizens.
With relation to the storys central theme of the collectives needs and wants being more important than that of an individual, fear functions as a unending reason not to doubt tradition. The mountain who live in Omelas are living in a seemingly Utopian society with gay festivals free of civil strife or unhappiness.
Yet as Le Guin delves deeper into the story of the little townspeople of Omelas a sm entirely child is discovered that is supposedly accountable for all the happiness in the town. Through depriving the child of all but the bare necessities of life the tranquil towns flourishes. Somehow the people of Omelas believe that keeping this child isolated from society and in perpetual suffering keeps the town in its entire Utopian splendour. Fear functions as the reason that people do not help the child. The fear of losing their perfect world is much also great to risk losing it for...
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