Stanza One: Starts with I love a sunburnt country, which is the exact pronounce of the second stanza in the accredited poem by Dorothea Mackellar. This finicky proposition stanza (from the true) is the most oem by Oscar Krahnvohl like environmental issues, man issues, heathenish issues and politicwell-known, and by Oscar offset with this particular line, he exposes the importance of the forward poem, tho the attached few lines start as a parody from the influence of the previous poem. In this stanza on that point argon really(prenominal) similar lines towards the original for e.g. A write down of devote drains to the original A land of move plains. Oscar talks about the urban sprawl crossways the country, with references to fetching over land that was erst a gull of temper to busy towns, buildings being reinforced and the spread of investors approaching from overseas. Oscar notwithstanding uses the structure of the original with the lines riming in the places on the said(prenominal) lines; which make this stanza and poem very enjoyable to read. Stanza two: This stanza is in particular about the nature and wildlife which is demonstrable to the reader as it starts of with, a nature-loving country...
except the message is then changed later on the line Beneath whose flamboyant wattles, which ar an Australian identity in the bush, he overly suggests that on a lower floor the wondrous beauty of the wattles there are creeks fill with newspapers and humbled bottles. Oscar also uses a very blunt but bear on tone in these two lines, he uses spoken communion to show his disgust at how much the environment has been fill in. In the last three lines of this stanza it tells us of the hot weather, Still whose cities chafe, and how most of the common water (beaches, lakes etc.) are relatively safe to bathe in... If you hell qua non to get a exuberant essay, order it on our website:
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